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Camille Pissarro
Three woman bathing
mk103
1894-95
17x12.9
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Camille Pissarro
Boulevard Montmartre,morning cloudy weather
mk03
1897
Oil on canvas
73x92
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Camille Pissarro
La Place du Theatre Franqais
mk103
1898
Oil on canvas
72.4x92.7
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Camille Pissarro
The Louvre,morning,rainy weather
mk103
1900
Oil on canvas
66.7x81.6
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Camille Pissarro
Morning,winter sunshine,frost the Pont-Neuf,the Seine,the Louvre
mk103
1901
Oil on canvas
96.5x115.9
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Camille Pissarro
The Louvre under snow
mk103
1902
Oil on canvas
65.4x87.3
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Camille Pissarro
The Carrousel,autumn morning
mk103
1899
Oil on canvas
73.5x93
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Camille Pissarro
Afternoon sunshine
mk103
Oil on canvas
73x92.1
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Camille Pissarro
Rue de I-Epicerie,Rouen
mk103
1898
Oil on canvas
81.3x65.3
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Camille Pissarro
Place de la Republique,Rouen
mk103
1883
14.2x16.5
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Camille Pissarro
Place du Havre,Paris
mk103
1897
14.5x21.3
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Camille Pissarro
The railway bridge at Pontoise
mk103
1882
13x24.8
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Camille Pissarro
The Stone bridge and barges at Rouen
mk103
1883
Oil on canvas
54.3x65.1
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Camille Pissarro
The Stone Bridge in Rouen,dull weather
mk103
1896
Oil on canvas
66.x91.5
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Camille Pissarro
Pont Boieldieu in Rouen,damp weather
mk103
1896
Oil on canvas
73.6x91.4
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Camille Pissarro
Woman sewing
mk103
1895
Oil on canvas
65.4x54.4
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Camille Pissarro
Minette
mk103
1872
Oil on canvas
45.9x35.6
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Camille Pissarro
Portrait of Paul Cezanne
mk103
1874
27x21.4
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Camille Pissarro
Portrait of Eugene Murer
mk103
1878
Oil on canvas
64.4x54.3
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Camille Pissarro
Young Farmgirl
mk103
c.1882
Oil on canvas
38x46
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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